Robert Altman is considered by many to be one of the best American directors
around today. He is known for his intricate comedies with very large ensemble
casts, including Short Cuts, Ready to Wear (Pret a Porter), and
Kansas City. Cookie's Fortune is the latest movie from Altman,
a slow paced murder investigation that takes place in the deep south.
It stars, among others, Glenn Close, Charles S. Dutton, Julianne Moore,
Liv Tyler, Chris O'Donnell, Patricia Neal, and Altman movie staple Lyle
Lovett.
The title refers not to the small treat given at the end of a Chinese
dinner, but to Cookie's (Neal) potential fortune. Cookie has just been
murdered, and no one knows who did it. Local law enforcement is doing
all it can, in its own way. Cookie's only living relatives are her two
nieces, Camille (Close) and Cora (Moore), and Cora's free spirited daugher
Emma (Tyler). The prime suspect is Willis (Dutton), Cookie's caretaker.
Since this is a small town, everyone knows everyone else. The local police
lock him up, but everyone knows he didn't do it. The truth is that Cookie
missed her husband, and committed suicide. Camille stumbles upon this,
and is horrified. A good woman doesn't commit suicide. She arranges things
to make it look like a murder, with the help of her not too bright sister
Cora. As her lies start to compound, the she has to do more and more to
cover them up, and events escalate in classic farce fashion.
The only thing that isn't laid back in this town is Camille. While everything
is going along at its merrily slow pace, she is running around trying
to direct a production of Salome, take suspicion away from her,
and cast it upon Willis. Altman and co-writer Anna Rapp gently lampoon
the stereotypical southern old-fashioned way of life without actually
making fun of it in a mean spirited way. Apparently they had such a good
time writing this film together that they are working together again for
Altman's next film. The characters are wonderfully scripted and acted
(especially Dutton and Neal). Close gives a very funny over the top performance
of a woman who is obsessed with tradition and image.
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